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Mostrando entradas de enero, 2021

LIBERATION DAY (EL DIA DE LA LIBERACION)

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 (EN CASTELLANO DEBAJO)  I once heard that the two best moments when you buy a yacht are, first, when you purchase it, and second, and  indeed the best of all moments, when you get rid of it… Well, in my case , I have experienced something similar with our so-called “Stone House”: we have sold it last week and, at present, I can´t help a feeling of liberation at having gotten rid of it. Yes, it was a place that somehow helped to strengthen our family ties as a lot of rellies came to stay there & also some good friends of ours had grown used to come and visit us for a weekend every year. To all of you who came to visit us, I thank you wholeheartedly.  But, all in all, I can't help thinking that it was too much of a place, with three flights of stairs,  for a couple without children. As I turned sixty last year, I have begun thinking that life can be too difficult if we burden it with a lot of duties (in Spanish we say if we carry a “heavy rucksack” ) and  we must learn to travel

THE CASSANDRA CROSSING (EL PUENTE DE CASANDRA - 1976)

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   (EN CASTELLANO DEBAJO) For those of you who think that the present pandemic of COVID-19 was generated in a secret lab in Wuhan, where an experiment went awry and an elaborated cover up has been set up since then, this is the kind of movie you will enjoy. It was a thriller turned in 1976 with an all-star cast, that included some famous Hollywood names with Richard Harris and Sophia Loren at the top billing. Though it looked like an American or Hollywood blockbuster, in fact it was a European movie produced by Carlo Ponti, Sophia Loren´s husband. Some people in the web have qualified it as a “disaster movie”, but I’m against this definition because usually “disaster movies” (like, for instance, “The Poseidon adventure”, 1972, “Earthquake”, 1974, “The Towering Inferno”, 1974) introduced some characters whose lives were turned upside down due to a natural disaster. With hindsight, one would think that Hitchcock’s masterpiece, “The Birds” (1963), set the pattern for “disaster movies”. In